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Through the prism of Reggae Dancehall Music,
Chatboutreggae.com chronicles the Celebrities,
Sounds, Fashion, Lifestyles Current Events and
business created as a result of this art form.
With an unyielding authoritative voice,
Chatboutreggae.com creates, transforms and covers trends.
Chatboutreggae.com is the interpreter-culturally,
politically and socially of this phenomenal movement.
It serves as a portal to a growing, young, trend
setting multicultural audience.
Chatboutreggae.com
provides a forum that is thought provoking and smart
to a global community.

Tease is a graduate of Johns Hopkins University majored in Business and Commnucation. With a strong
background in event management, contract negotiation and strategic marketing, as the Director of ChatBoutReggae, Tease is the voice and face for CBR. Tease is al the
promoter for The Annual Baltimore Dancehall Queen Competition and is the "behind the scences person" for several other successful events.
Tease is a former Miss
Black Maryland pageant winner and has been a professional model and photographer with over 12 years of experience. She has an extensive networking pool in the danchall
arena which she unitilzes frequently. Her goal is to assist in enhancing the reggae/dancehall industry to a professionally recognized level.

Peace and Blessings to the entrie DMV area. My name is Trinette and my friends call me Trini. I have been involved in the West Indian culture my whole life.
My brother and cousins are soundmen and selectors so music is in my blood. I am the Cheif Operating Officer for ChatBoutReggae. CBR is going on a journery where we
will connect the DMV, build more DMV Vybz and showcase our talents and creativity to the whole world. I invite you to join us it's going to be informational and fun.
This is something you don't want to miss !!
Link me @ Trini@chatboutreggae.com

Bless & Thanks to everyone for logging on to Chatboutreggae.com, this is Karen "aka" K's the Regional Manager in Orlando, Florida. I am originally from Washington, DC. My family is originally from Grenada (West Indies). I now live in the Sunshine state and I am excited about working with the Sounds, promoters, artist, and fans here. I have some goals that I want to accomplish so you will be hearing a lot from me. I love to meet different people and network. My main focus is on different events and to contribute to the Orlando, Florida area to create a thriving market and strengthen Orlando's presence throughout the Caribbean. Link me up at Ks@chatboutreggae.com

Hey, I'm Tarnisha aka "LuLu", born Jamerican. I LOVE my culture and the spirit that comes with it. Jah and Music are my life!!! I love to dance and have a good time, and I'm here to help capture those moments on camera to show the world the fun of the dancehall/reggae community. I am excited to get to know the CBR fam and build strong relationships. I plan to promote and coordinate events and making sure everything sort out. I Love to learn new things and meet new people. So look out and Link up with LuLu and show me your picture perfect smile!!! ~Prayers up, Blessings down!!!"

Big shout to the entire DMV, this is the 1 and only Twiggy! I am excited about connecting with the Chatboutreggae world. So the Chatboutreggae world
should get excited about connecting with me. I will be planning special events and parties and promoting. Also, look out for me hosting for artists,
selectors and sound systems interviews. I will be providing highlights from all the events as well as the latest current events. Drop me a
message on the forum, until then stay peaceful!
Twiggy - Special Events Manager
Twiggy@chatboutreggae.com

Hi name is name Adaku also known as Ada. I am from Silver Spring-MD, my mom is Jamaican and my father is Nigerian. My earth-strong is March 6 so big-up
all Pisces! J What I love most about the Reggae music community is the music and the energy of the industry. It is exciting! My goal is to bring a
female point of view in this male dominated industry and expand into new markets. Learning new things is the key. So keep an eye for me and the rest
of the Chatboutreggae family.
Ada - Special Events Manager
Ada@chatboutreggae.com
| Baltimore | Virginia | Washington, DC |





















Sammy K's Earthstrong 11/2011
Gary Famous' Birthday 10/2011
Marlene's Birthday 10/2011
Etana & Vegas 3/2011
Prezzy's Red and White Party 2/2011
Bashment Thursdays | 2/3/2011
Hypa's Orange & White Party 2/2011
Mz. Trinee Birthday (VA Beach) 1/2011
Leather and Lace 1/2011
Patty Boom 9/2010
Mimi + Shawna 4/23/2010
Best Deal In Town 5/01/2010
5 Dollar Fridays
Freeup 4/09/2010
Fight Club 4/24/2010
Wild Out Wednesday 4/7/2010
Orange and White
Teen Dance
Lingerie
Good Ova Evil
Last Dance
Nicky Statement Earthsong
Wild Out Wednesdays
Stone Love Thanksgiving
Secret Fridays
Gully Creeper DC
Bahamas April 09
Mavado VA
Fight Club round 3
Bassline Boat ride
NY VS FL
Wednesday nights and the pool party
Budweiser Reggae Festival
Pool Party
Collie Bud
"Fight Club" Rd. 1 6-27-08
Mothers day in VA, 5-10-08
This week CBR had a wonderful opportunity to experience a special “Mothers Day Performance” in Chesapeake, Virginia. The show was held at the more than popular “Blakleys Night club”.
On Saturday July 29th, Washington, DC played host to an historical Reggae event. All who were in attendance including CBR were extremely surprised by the turn of events and the talk will continue on for years to follow......
CBR traveled to Baltimore this weekend to take in the “Hardcore Juggling” dance with Shashamane, Tek-9 and Amplex, promoted by Outlaw sound. The anticipation of this dance was intense since Baltimore is not known for its Hardcore Juggling or for that fact anything except what viewers see on the weekly HBO series “The Wire”. There were many familiar faces from the War Scene other than the guest of honor.
During the Month of March “Outlaw Entertainment” of Baltimore kept part II of “Hardcore Juggling”. This Month featured High Rollaz from Baltimore with Terra C (formerly of Kolours and LP out of Brooklyn) Generations from Brooklyn and Earthquake out of Washington, DC. There was a lot of anticipation for this one because Earthquake and Generations are nemesis.
Ladies and Gentleman on Saturday March 15th, in Washington DC one of Reggae Music Icons graced the stage and put on a historical performance for a sellout crowd. The “Cool Ruler” Mr. Gregory Isaacs himself brought out reggae lovers from all walks of live. The crowd was definitely international and everyone had high anticipation for the historic event that was about to be experienced by all in attendance. It has been 10 years since Gregory has been to the Nations Capital.
Well CBR spent Valentines in the state for lovers, Virginia, Hampton Roads, Tidewater area. The drive down 95s was well worth it when we reached our destination. Virginia patrons were out in full force to celebrate this “Day of Love Dance”. Over the last 10 years the business in Virginia has experienced a steady growth and incline. There seems to be a strong support amongst the key figures in the industry and an ever growing commitment from the patrons. Big up Humble Beginnings for a quality dance and strong showing in the business.
CBR had an opportunity to meet with Lexus Superior before the clash with Cali’s DJ JFX. This interview took place before their win at “Fight Club” round 4. It was a short and spicy conversation but here is the real talk straight from Fadda Lex.

REGGAE artiste Buju Banton was today sentenced to 10 years by United States magistrate Jim Moody in the Sam M Gibbons US Court in Tampa Florida. He will be incarcerated at the FCI prison facility in Miami.
The artiste – real name Mark Myrie – was found guilty in February of conspiring to negotiate a drug deal in a police controlled warehouse in Florida. The charge of possession of a firearm in furtherance of a drug offense was dropped however.
The artiste was slapped with the heavy sentence despite pleas for leniency by his attorney, his children, movie star Danny Glover and other character witnesses.
Banton, whose real name is Mark Anthony Myrie, seemed resigned to accept his fate and calmly accepted the verdict.
His attorney David Oscar Markus has signaled his intent to appeal Banton’s guilty verdict and indicated that he would move with alacrity to secure the artiste’s release.
The sentence was handed down in front of a packed courthouse which included members of the artiste’s family, his close friend Wayne Wonder, his manager Traci McGregor and reporters.
Many persons, including artistes and Banton’s close friends Gramps Morgan and Delly Ranks who came to hear the verdict were turned back after court officials indicated that the courtroom was packed and Moody had already been seated at minutes to 9:00 am. The sentencing hearing lasted just over an hour and many of Myrie’s supporters and family members cried openly. The artiste will serve his time at the penal facility in the state of Florida. Myrie underwent two trials after the first trial ended in a mistrial in 2010. He was however found guilty of conspiracy to possess with intent to distribute five or more kilograms of cocaine, using the wires to facilitate a drug offense and possession of a firearm in furtherance of a drug trafficking offence. Banton’s two co-conspirators, Ian Thomas and James Mack both plead guilty after they were held in a sting operation attempting to purchase cocaine from federal agents in a police controlled warehouse in Tampa. The US government built their case around wiretap and video evidence which caught Banton tasting cocaine and making several statements of the purchase and sale of large amounts of contraband.
Source: Jamaica Observer

Born Von Wayne Charles on July 26, 1972 in Buff Bay, Portland, Wayne’s initial singing inspiration came from attending Sunday school, where singing was compulsory, and from his mother who sang in church. As a child Wayne and his family moved all over eastern Kingston, living in areas such as Dunkirk, Franklin Town and Rae Town, home of the weekly Sunday night Reggae/R&B oldies street dance..........

Two months ago the Jamaican community lost a music pioneer and the reggae community world wide lost a legend. While on European tour lead vocalist, Joseph Hill, for the legendary roots, rock singing group Culture, passed away due to health complications. His son Kenyatta Hill has taken the lead vocalist role and all of the responsibility that comes along with this new role. It reminds CBR of the Marley legacy when Bob Marley passed away and Ziggy picked up the reigns. Unlike Ziggy Marley Many Culture and reggae lovers had never heard Kenyatta before.......

Trini: Some artis, have changed their styles over the years over to becoming Rasta. Do you think you and your style may follow from being Gangsta to Rasta? Mavado: I was born and brought up around Rasta. My father was a Rasta and I have family that is. I will always be gangsta but some of my songs also send a message that at times people have to overcome.
Today we an opportunity to spend a little time with one of Reggae music’s greatest Icons, a soulful voice a magnificent voice and a wonderful human being. Freddie McGregor was performing in Washington, DC and CBR was invited to a private dub-plate session with Revolution sound. It was a great opportunity because CBR was able to experience Freddie McGregor at a dub-plate session.

Quick 7 Round with Loveline Chatboutreggae.com had a chance to reason with Fight Club Contender “Loveline” as they prepare for their upcoming bout with Supergold. CBR is bringing you the exclusive str8 from Loveline raw, uncut and unedited.

Jamaica's very own Nkruma.
This week CBR had a wonderful opportunity to experience a special “Mothers Day Performance” in Chesapeake, Virginia. The show was held at the more than popular “Blakleys Night club”. Special shout to Humble Beginnings Promotions for producing a first class, exciting, extraordinary event! CBR staff would also like to send a special Big up’s to westIndiantimes.net, Tiney Winey, Diva Squad, J.A Diamond, Sweet Pashun, Tye , Famous, Sexy Trini and Quick draw from Bassline Sound.
It was around 11pm when CBR members arrived at the event. The crowd was very impressive but not unexpected because Taurus Riley and Pressure were the crooners who were going to sing some of reggae music biggest contemporary hits. Adonai, “The sound of the future” was playing and the crowd responded to every word that was uttered and every tune that played. The sound system was provided by “Huble Beginnings” promotions and the machine was tuned to perfection. Virginia has one of the most participatory fan bases in the entire U.S. The vibes were right and the stage was set for the evening main attractions everyone including CBR staff and members were ready.
Swinger from” Crazy Love” sound took the stage made a few announcements and proceeded to “Bun a serious fire” while Quick draw of Bassline played some original sing along tune. It sounded as if every voice in Blakleys was in sync at that moment. Nice job by Bassline and Crazy Love. Show time now Pressure took the stage first and the crowd roared. CBR.com members were astonished to see the response from the fans, knowing every word of every song that Pressure delivered. This is likely because VA has a strong Virgin Island community and Pressure is from the Virgin Islands. After Pressure wooed the audience for a good thirty five minutes or so he wasted no time by taking the fan to the next level by introducing the man that everyone was anxiously awaiting and VA was prepared. They had whined, Tek-wey dem selves, Gully Walked, Willie bounced and sang to get this point of the evening. Taurus sang like he was singing for his mother and all of the mothers in the world! His heart and soul were behind every word that came out of his mouth. One of the memorable highlights of the night was when Taurus gave a speech about Rasta don’t mix up with politics but I quote his words “I don’t know about you but I would love to see a black president” and began to sing a tune titled “Black President we want a Black President”, forward –forward pull up that! Wicked tune, Bad tune pull up that tune 4 times to say the least. The last tune that Taurus sang was everybody’s favorite. When the music for “She’s Royal” started, the floor in Blakleys began to shake! The chorus and 1st verse was sung by the crowd. The thune forwarded at least 5 times. When the VA finally allowed Taurus to voice the song, all you hear coming out of the speakers was “Let Me give you some love and affection” Pressure took the stage and history was made in VA. Everyone was surprised to see Pressure take the stage with Taurus and bust the place again! His timing was right, they had to practice that routine before. Nevertheless, everyone in Blakleys loved it!
After all "Virginia is for lovers" and CBR loved it as well. What a night in VA like many others before this one and many that will follow and CBR.com will be right there to keep the world up to the times!
What a night in VA like many others before this one and many that will follow and CBR will be right there to tell you way the people a (chat bout) in real time!
On Saturday July 29th, Washington, DC played host to an historical Reggae event. All who were in attendance including CBR were extremely surprised by the turn of events and the talk will continue on for years to follow.
Mr. Don Dada, The Wild Apachie, Mr. Super Cat himself performed a live concert in Washington, DC at Zanzibar on the Waterfront. Also, veteran Jr. Demus, who has performed with “The Wild Apachie” for years followed suit at Zanzibar. Mr. Demus thrilled the crowd with his famous “One Drop” style and received what seemed to be continuous forward. When Super Cat took the stage the crowd gave the “Don Dada” a response that showed their respect and the fact that Washington, DC has missed Mr. Cat for 10 years. He performed all of his hits and the patrons showed their love. The Don Dada also gave “Big Ups” to Sean Paul dispelling the rumor that he and Sean Paul are nemesis. Cat showed admiration for Dutty Cup and as far as the beef is concerned Cat said “We don’t kill champions, we raise champions. As if Cats’ 10 year return to Washington, DC was not enough, in the middle of the performance Mr. Rexton Rawlston himself, that’s right Shaba Ranks takes the stage. The crowd exploded with forward and the horns-men were present. Shaba performed some of hits like “Can Dun”, Dem Bow and “Ting a ling” and women responded by throwing their Bras on the stage. Shaba was joined by veteran DJ Wickerman and singer Xanadu from New York City.
The sounds that built up the fire were Raw Deal from Baltimore, Revolution and Emperor from DC and Glama G of Spanishtown, Jamaica. The promoters did a top class job in selecting these sounds for this historical event. Every sound built a fire and the next sound just added more fire to the fire!!!!!!!
There was a common sentiment amongst the patrons that there could be no price tag attached to the experience they just had. 900 patrons were transformed to Reaggae historians as History was made in DC on Saturday July 29th 2006, when Super Cat and Shaba Ranks blessed the stage together in the Nations Capital and CBR was there for the play by play.
CBR traveled to Baltimore this weekend to take in the “Hardcore Juggling” dance with Shashamane, Tek-9 and Amplex, promoted by Outlaw sound. The anticipation of this dance was intense since Baltimore is not known for its Hardcore Juggling or for that fact anything except what viewers see on the weekly HBO series “The Wire”. There were many familiar faces from the War Scene other than the guest of honor. “The East Cost Warrior” Revolution was present and of course Stoka from Upsetta, Generations from Brooklyn and Killer Khan from Love People in Virginia were all there, maybe due to the fact that they all have upcoming clashes and were doing a little homework.
When CBR reached the dance around 1:30am the crowd was amazingly nice. There was a proportionate mixture of ladies and gents. Tek-9 was playing and released some nice early foundation tune. Rick from Tek-9 was surprisingly - humble compared to his usual outspoken demeanor. Next up was Shashamane and they had a nice first round. They started out with Morgan Heritage and the MC, African made a speech about how he rewrote the tune. African then went into some regular hits and the Baltimore patrons responded with forward. Overall Shashamane had a solid round. Next up was Amplex with Glama G representing Washington, DC. Glama had just reached the dance and began to build his vibes. He started out slow and then began to pick up steam. The highlight of his round was some vintage Bounty Killer. CBR would have to say the 1st round was a toss-up between Tek-9 and Shashamane. The second round was loaded for Tek-9! They played a slew of Mavado and really worked the crowd. There were a couple of highlights in their second round: They played plenty Mavado, They played some serious vintage and they had the people moving. The same can’t be said for Shashamane, their second round was saturated with technical difficulties. The sound decided to chip out when Shashamane started their second round and continued throughout the round. Even when the engineer changed speakers and and retuned the sound it just would not play properly. Shashamane endured the technical challenges and continued to play some serious music despite the sound. Overall Baltimore’s “Hardcore Juggling” was a success! Big up Outlaw sound who continue to represent Baltimore and advance the business in their city. Big up Tek-9 who represented and showed their skills. Big shout to Shashamane who demonstrated why they are an international sound and represented the mother land straight. And a special shout to all of the Baltimore patrons who support authentic reggae music, Chatbout!


During the Month of March “Outlaw Entertainment” of Baltimore kept part II of “Hardcore Juggling”. This Month featured High Rollaz from Baltimore with Terra C (formerly of Kolours and LP out of Brooklyn) Generations from Brooklyn and Earthquake out of Washington, DC. There was a lot of anticipation for this one because Earthquake and Generations are nemesis. Unfortunately it did not live up to the hype. The honorable mention goes to High Rollaz. Terra C showed his experience as a selector. He used a combination of speech and tune and really made a statement. He went right at Generations and Earthquake who seem not to have any response for the experienced selector or his lyrics. Earthquake and Generations were disappointing to say the least. It would make since that they would put forth a good effort to settle their own vendetta but nothing. It is safe to say that Part I (Amplex, Tek-9 and Shashamane) exceeded expectations and Part II did not. Anyway, Big up High Rollaz for representing properly.
Generations outta Brooklyn, NY

Ladies and Gentleman on Saturday March 15th, in Washington DC one of Reggae Music Icons graced the stage and put on a historical performance for a sellout crowd. The “Cool Ruler” Mr. Gregory Isaacs himself brought out reggae lovers from all walks of live. The crowd was definitely international and everyone had high anticipation for the historic event that was about to be experienced by all in attendance. It has been 10 years since Gregory has been to the Nations Capital.

Tribal War, Rumors, Night Nurse, Number One, all songs that have attracted thousands of fans worldwide to love the crooner and his harmonic voice. Born in the Fletcher's Land area of Kingston, Jamaica, on July 15, 1951, Isaacs arrived in the music business via the talent show circuit, a tried and true formula for many of the island's budding singing stars. Byron Lee was the first in the industry to spot his talent and brought him and Winston Sinclair into the studio to record the duet "Another Heartbreak" in 1968. Sadly, it went nowhere, and Isaacs decided to try his fortunes with a new vocal trio, the Concords. They set up home at Rupie Edwards' Success label and over the next couple of years, released a number of singles, including one with Prince Buster, but none caught the attention of the Jamaican public. It's been estimated that the singer has released up to 500 albums (including compilations) in Jamaica, the U.K., and the U.S. combined. The singer recorded with anyone and everyone and was just as quick to revise his old songs as create fresh ones. Although none of these are entirely disposable, inevitably the quality of Isaacs full-length work began to decline in the mid-'80s. The Ted Dawson-produced Easy and All I Have Is Love-Love- Love, for example, certainly have their charms, but are hardly crucial. But that didn't mean the hits had dried up. Those 500 records are albums only, not singles, and the shops (and charts) continued to overflow with Isaacs' 45s’. And the rise of reggae just added hot new producers to the singer's packed recording diary.
Needless to say Gregory’s performance was well worth the 10 year the 10 year wait. CBR is happy to say that we were there for every second.
Well CBR spent Valentines in the state for lovers, Virginia, Hampton Roads, Tidewater area. The drive down 95s was well worth it when we reached our destination. Virginia patrons were out in full force to celebrate this “Day of Love Dance”. Over the last 10 years the business in Virginia has experienced a steady growth and incline. There seems to be a strong support amongst the key figures in the industry and an ever growing commitment from the patrons. Big up Humble Beginnings for a quality dance and strong showing in the business.
The guest of honors for the evening entertainment was Crazy Love from Virginia, Revolution and Blueprint from out of Washington DC. When we reached Blakely’s in Chesapeake, Virginia it was obvious that there were PLENTY WOMEN there. The ratio was about 7 to 1 and I must add they were looking very good! (visit photo album for pics) Crazy Love was playing and doing a very good job of entertaining their crowd. They knew what to play and they played right and at the right time. They filled the place with vibes. Very good job Crazy Love! Next up was the (East Coat Warrior) Revolution from DC. Revolution began with their signature God Bless vibes. Blakely’s lit up with extra vibes, I mean extra vibes, more fyah and the crowd responded with horns, whistles and forward in kind. CBR heard a couple of Bounty, Chuck Fender and Buju dubs too, eeehhh, nice vibes Revolution. Blueprint took over the controls and took the dance to the next level. They played a mixture of R&B,Hip-Hop and dancehall and mixed it up nicely. It was the Blueprint and Revolution was a nice 1 2 punch.

Humble Beginnings, Westindiantimes.net, Crazylove sound, Revolution, Blueprint, Teddy Bear Promotions, Lady Cham, Crazy Legs, Diva Squadd, Va Supporters and Blakely’s

CBR: Tell us about the L to JFX in Cali.
Born Von Wayne Charles on July 26, 1972 in Buff Bay, Portland, Wayne’s initial singing inspiration came from attending Sunday school, where singing was compulsory, and from his mother who sang in church. As a child Wayne and his family moved all over eastern Kingston, living in areas such as Dunkirk, Franklin Town and Rae Town, home of the weekly Sunday night Reggae/R&B oldies street dance. The exposure to vintage 45’s at these dances would provide Wayne with a richer, more soulful vocal approach to a Reggae rhythm track than many of his contemporaries. It was at secondary school where Wayne’s thoughtfulness and philosophical nature led to the acquisition of the nickname “Wonder”; young Wayne sang at school, at home, at church and for his friends and wherever he sang, he was encouraged to pursue his craft professionally.
Although dancehall Reggae deejays (rappers) must be lyrically tough, unleashing rapid-fire guns in the ghetto rhymes and inflated sexual boastings, dancehall singers can attain great popularity sensitively cooing about a new found love, melodically lamenting a love gone wrong and emotionally conveying other oh-so tender concerns. The sensual, honeyed vocals of Wayne Wonder have made him a consistent hit maker since the late ‘80s. In 2002, Wayne earned the first #1 hit of his career pledging a lifetime of devotion on the sweetly romantic hit “No Letting Go”. “This is the biggest hit of my lifetime,” Wayne exclaims. “The song is #1 in Jamaica, #1 in New York. WBLS is playing it, Kiss is playing it, I hear Hot 97 playing it. I’m grateful and I feel blessed.”
The first producer Wayne recorded for was the legendary creator of dub, the late King Tubby. Wayne voiced three original songs for Tubby, but the one that caught the public’s attention was his cover version of British heartthrob Rick Astley’s “Never Gonna Give You Up”. In 1988, Wayne was devastated by the death of Tubby who was among the most significant influences in his early career. Wayne then linked up with producer Lloyd Dennis voicing the hit “It’s Over Now” on the popular “Cover Me” rhythm (titled after the hit by Ninja Man and Tinga Stewart) for Dennis’ Pickout label. “That was actually the first song that start to play, like I could go to the dance and look forward to hearing it,” Wayne recalls, “so my inspiration grew more from there.” Wayne also recorded his debut album “No More Chance” on the Pickout label. “No More Chance” contained seven original tracks and several obligatory cover versions, reflecting Jamaican producers’ preference for recording singers doing American R&B hits. “When I first started out, I got so frustrated, because you carry original material to the studio and they act like they don’t even want to hear it,” Wayne explains. “They don’t accept it. They want you to sing over something that everybody already know. Them don’t spend time to hear your creativity or what you try to originate.”
Around 1989, Wayne began collaborating with his childhood friend Dave Kelly. At the time, Kelly was an engineer for Donovan Germaine’s Penthouse Records, the label synonymous with Dancehall Reggae hits of the late 80s/early 90s. Together Wayne and Dave created a steady stream of successful Penthouse tunes including “I’m Only Human,” “Baby You and I” and “Saddest Day” (which Wayne re-recorded in combination with Foxy Brown on her 2001 Def Jam Records “Broken Silence” CD). Wayne became well known for his 1991 cover version of the late Jamaican singer Delroy Wilson’s “I Don’t Know Why” re-titled “Movie Star.” The same song in combination with Buju Banton (whom Wayne brought to Penthouse Records) “Bona Fide Love” proved to be a huge success as well, remaining a heavily requested tune even today.
Wayne achieved several hits with Penthouse covering the work of American artists including Tracy Chapman’s “Fast Car”, PM Dawn’s “Die Without You” and En Vogue’s “Hold On” but in 1993 he pledged he would only record original material. “From that time, I haven’t covered a song, everything is all original music,” declares Wayne who has co-written hits for other artists including Buju Banton’s “Deportees” and “Murderer”. “I don’t feel proud if I cannot sing my songs, it’s a different feel that it gives you than singing someone else’s song. How can I be touring and singing other peoples songs? I supposed to be touring and singing my songs!”
Wayne and Dave Kelly continued their successful musical relationship when Kelly founded his own Madhouse and Xtra Large labels. Wayne recorded many hits for Madhouse spanning the mid to late 90’s, including “Joyride,” “Bashment Gal,” and “Keep Them Coming.” Wayne introduced an extra dimension with “Let Your Conscience Set You Free” recorded in combination with his alter ego, deejay Surprize. “I have a lot of tracks on the road Wayne Wonder featuring Surprize. Really, I’m the deejay as well as the singer, that is the surprise. My creative juices get crazy on me so I apply them in different ways.” Surprize was also featured on several tracks of Wayne’s 2001 release “Schizophrenic” as was Wayne’s underground group Entourage, featuring his deejay protégé Showki Ru (pronounced sho-kee roo).
Wayne launched his own record label Singso in 2000 and has released singles by several artists including Baby Cham, Alley Cat, Frankie Sly, and Mr. Easy. Steve "Lenky" Marsden, the multitalented musician and producer, whose hypnotic Diwali rhythm track supports Wayne’s sweet serenading on the chart topping radio hit “No Letting Go” is one of the featured producers on the album, along with heavy hitters Tony Kelly and Sly Dunbar.
Wayne has been working tirelessly in the studio completing tracks for his upcoming album for VP Records “No Holding Back” due February 2003. He has done much of the pre-production work in his New York home studio, as well as recording tracks in Jamaica. Wayne wrote or co- wrote all of the songs on “No Holding Back” and the album will certainly adhere to the same superlative vocal and songwriting standards his fans have come to expect from him over the years.
“I just want to do good songs,” Wayne concludes. “I’m keeping the mainstream recognition (from “No Letting Go”) in mind but adding my creative flow to it because I want people to know that Wayne Wonder is not limited. Once I finish the album, I’ll hit the road and tour. I got a good band together and I really feel pleased. I can go out there now and really represent myself.”
Two months ago the Jamaican community lost a music pioneer and the reggae community world wide lost a legend. While on European tour lead vocalist, Joseph Hill, for the legendary roots, rock singing group Culture, passed away due to health complications. His son Kenyatta Hill has taken the lead vocalist role and all of the responsibility that comes along with this new role. It reminds CBR of the Marley legacy when Bob Marley passed away and Ziggy picked up the reigns. Unlike Ziggy Marley Many Culture and reggae lovers had never heard Kenyatta before. The pressure could be Crazy but we visited the new lead vocalist while on tour in the Nations capital. CBR was able to take in the show and was highly impressed. Kenyatta brings a youthful vigor along with his harmonious voice. Before the show Kenyatta Hill sat down and shared this with CBR:
CBR: Kenyatta, tell everyone about the band.
KH: Well there are 8 members, 5 bands-man and 3 vocalist. Albert, Tilly and myself on Vocals, Robin on Guitar, Leslie on Drums, Steven on Bass and Cris and Mitch on Keyboards
CBR: Where and when was the group founded?
KH: In St. Cathrine Jamaica in 1976 by Albert Walker, Kenneth Days and Joseph Hill, the group is 30 years old.
CBR: Are you on tour?
KH: Well the band just come off of tour, we are just here for two shows NY and DC
CBR: How do you like NY and DC?
KH: We come here regular, we love it, it’s a nice place and has great shopping.
CBR: Tell the world about your new role as lead vocalist for Culture.
KH: It is a dream come true.
CBR: Have you ever performed before becoming lead vocalist?
KH: Not really. I use to be a selector for a sound name “Channel 7 Disco.”
The sound was owned by my father Joseph Hill.
CBR: So you are use to being in the spotlight.
KH: Different from the sound business, I am learning the concept of timing. In music singing is not something that you just do, it has to be in you, who you are and how you express yourself you’re born with it.
CBR: What goals have you set for yourself as lead vocalist?
KH: I’d like to put out more roots in the mainstream. Dave Matthews put roots in the mainstream already but as a young vocalist and former selector, I don’t believe that selectors support and endorse roots. Since the rise of reggae music in the mainstream selectors and sounds don’t play roots. After my father started a legacy I overstand that his shoes are some big shoes to fill. So, I look at his example and utilize those lessons to make my mark.
CBR: Do you feel that is the way he wanted it?
KH: Yes, to make more conscious music, to open people eyes to look deeper into life and overstand that these are serious times people have to live right and good.
It’s Trini again and I have another exclusive for you! Recently I had the opportunity to talk to “The Real Mcoy” himself, Cassava Pieces’ own Mavado. It’s hot so enjoy!
Trini: In some of your songs you mention "Cassava Piece" and some people don't exactly know or understand what it is or its significance. Can break down the meaningso people will know why it gets mentioned and what role it has played in your life?
Today we an opportunity to spend a little time with one of Reggae music’s greatest Icons, a soulful voice a magnificent voice and a wonderful human being. Freddie McGregor was performing in Washington, DC and CBR was invited to a private dub-plate session with Revolution sound. It was a great opportunity because CBR was able to experience a Freddie McGregor at a dub-plate session.
He was cool and laid back and he was very accommodating. He wore jeans and a T-shirt and he had a crown on covering his locks. If you saw him walking down the street you would not even recognize this great Icon of over 30 albums. When we entered his suite he was in the middle of an interview on his cell phone. Freddie McGregor was on his Blackberry, yes Freddie is definitely up to the times. We talked about the current state of dancehall. To my surprise he did not talk about bringing back the “Good ole days” but more about the personalities involved with the industry. “Dancehall is not bad sometimes the people in the dancehall don’t make the best choices in their personal lives and dancehall is affected in a negative way. Outsiders see this and it gives dancehall a black eye”. Over the last couple of years there have been some high profile incidents that have helped give dancehall a negative image. Ten years ago Jah-Cure was arrested and sent to prison for rape, dancing sensation Boogle was gunned down, Alliance artist Raw Dawg was killed and more recently the ongoing feud between Mavado and Vybz Kartel.
We also talked about the messages that artist put out with their songs. “Bob Marley talked about everything that today’s artist talk about, he just said it in a way that did not offend people. There are some parts of society that have been here since the beginning and you can’t change that. If songs were made about how some of the people in dancehall and how they mash up the business, there would be major up roar”.
As the conversation progressed while Danny from Revolution set up his portable studio, the singer began to speak about his label and studio in Jamaica titled “Big Ship” in Kingston, Jamaica. Big ship has produced artist like Luciano and Mikey Spice. Big Ships top producer is Genius a 19 year old wonder producing some of dancehalls biggest artist and hottest riddims. Freddie talked about how proud he is of Big Ship and look out for more greatness in the future.
Quick 7 Round with Loveline
CBR: Give CBR a little history of Loveline(where u from, how old is the
sound,who is on the team and some notable clashes and wins)?
Loveline: Loveline AKA Loveline Disco AKA Loveline Muzik was founded in 1987 in the Cumberland section of Portmore Jamaica.
Loveline gained popularity in the sound arena due to regular “juggling” dances in Cumberland, Gregory Park, Waterfort, Stony Hill, Sandy Park and other areas of Jamaica
as well as monumental wins over sounds such as Super Saint, Classique, Super Rock, Tyrant and many others. In 1989, Loveline was brought to NY momentarily where it is based
in a Brooklyn club, then named Splendor Heights and playing regularly with some of NY’s popular sounds of the day such as Firgo digital, Star Tone, Sir Vic Jr., Volume 1,
Maximum and several others. Shortly after, Loveline returned to Jamaica. In 1992, Due to other business opprtunities, Loveline went on hiatus.
The current members are Mark, Richie Gunz, Icon, Wayne(Beez), Scatta, as well as Loveline founders Donovan, Fadda Wayne and Mikey White.
CBR: What do you feel about current state of sound clash and your particpation in Round 5 of the "EAST COAST FIGHT CLUB?
Loveline: I think clash with 2 sound like EAST COAST FIGHT CLUB is the key to bringing back clash interest. Too much a 1 thing nuh
good a rass and that goes fi sounds. When the clash is a sound circus, everybody a rush di performance and di people more time nah get fi hear the sweetest
part a di songs. The rounds in a "sound circus war" are too short. Also there needs to be more creativity when it comes to cuttin dubplates cauh more time you
hear sounds clash and play di same set a chune pon di same set a riddims. People lose interest if everything has a carbon sound.
CBR:How do you feel about your chances against Super Gold and how do you view them as a competitor?
Loveline: II think this will be a entertaining clash for soundclash fans who want to hear every category of dancehall
music from new hits to old hits. Super gold is a veteran sound thats been around a while so I think that will make for an interesting war.
CBR: They (Supergold) have a strong Reputation and the word on the Streets says they are the favorite, how do you feel about being the underdog?
Loveline: don't feel no way bout that, uzimi. We come to play for the people and give them what they want and at the same time
share our creativity when it comes to cuttin dubplate. We know alot of people know Super Gold and they don't know us yet, but they will know who we are on fight night.
CBR: It seems the rivalry started at Brooklyn Face Off, that Tytanium won, tells how the rivalry began?
Loveline: Really and truly, we went after Super Gold at Face Off simply because they were the defending champs from the previous year
and we wanted to take their title from them. Face Off I think the rivalry was really between Tytanium and Super Gold and that alot of people wanted to see the
outcome of Montona leaving Super Gold and coming back to kill them 1 year later on a new sound.
CBR: If you lose, what is your plan and if you win what is your next move?
Loveline: After we win Fight Club, we plan on taking more clashes as well playing and promoting jugglin dances to expand our fan base.
Lose? Is wha dat mi dups? We nuh know nuthn bout losing king. A Selassie I-know! Me nuh know nubady nor nuthin name losing, uzeit!
CBR: Give the fans a Rd for Rd prediction?
Loveline:
Rd 1 20 min?
Loveline a lead
Rd 2 15 min?
Loveline win dat
Rd3 10 min?
Loveline dun dem
Rd 4 best of 7 tune fi tune?
It might nuh reach desso but if it do, dem dead same way, real talk! I want to big up all the Loveline fans over the years.
Loveline ladies, we love you! Respect to all soundman and sound owners that do this fi love a music and love of soundsystem culture!
Guidance
“LOVELINE”
Horace “NKRUMA” SlaterNkruma was Born in Kingston,Jamaica on July 07,1972. He moved to the United States in 1987. Nkruma realized this would be his chance to be successful. Working to support his family and himself, at the age of 19 he managed to build his first hit “Reality”. This single blew the radio stations away, with number one requests for weeks. Nkrumah aka Slata Banton, became a household name in the NY Tri-State area. In 1989 as a member of a local group called TLC they performed at the famous ApolloTheatre in Harlem. Nkruma was being requested by some of the top reggae artist of that time. One of those artist was Supacat, the original “Don Dada”. Slata Banton open for the original “Dadz” of dancehall in 1993 at the Reggae Carnival on Langley Airforce base in Hampton, VA . After touring with numerous artist such as Spragga Benz, Red Dragon, and Papa San just to name a few, he then became member of a local group called Cupid Starz.
Cupid Starz took Paterson NJ by storm, voicing dub plates, hosting parties, and performing at sold out events within the area. As a member of the the Cupid Starz he created the hit “When Big Man a Talk , by Slata Banton”. Nkruma relocated to Florida where he and his brother met Fitzroy Kenlock. The night life of Ft. Lauderdale has proven instrumental in developing a number of Jamaica's finest artist, such as Glen Washington, Sanchez, Freddie McGregor and The Genuine brothers. Performing with bands such as Code Red, Millennium, and his favorite, Fourth Dimension, Nkruma performed at many shows in the South Florida area. His most recognizable performance was in 2003 at the Annual Bob Marley Fest. In the summer of 09 Nkruma signed with NVS Music Group. He teamed up with Super Producer Darren Lighty who produced for Jaheim ,Donell Jones,TLC,Luther Vandross and many other Platinum artist. Together with the TWEEKERS they produced the smash “ Go Gettah” and “ More Love” . Nkruma's music will make you analyze your life, inspire change and reflect on The Most High. Lets remember “He was Born Wit It”, so he can never get rid of it. Nkruma is on the beat to let everyone know that life, love and happiness doesn't come cheap.
All we need is “ More Love”…….NKRUMA.