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About Us

The Mission

Through the prism of Reggae Dancehall Music,
Chatboutreggae.com chronicles the Celebrities, Sounds, Fashion, Lifestyles Current Events and business created as a result of this art form.
With an unyielding authoritative voice,
Chatboutreggae.com creates, transforms and covers trends.
Chatboutreggae.com is the interpreter-culturally,
politically and socially of this phenomenal movement.
It serves as a portal to a growing, young, trend setting multicultural audience.
Chatboutreggae.com provides a forum that is thought provoking and smart to a global community.


Blessed day, my name is Trini(Lady Trini of the Lady Souljahs) and I am the Regional Managre in Virginia for Chatboutreggae.com. I am originally from the "windy-city" of Chicago and for the past 2 years I have been living in the 757 area of VA due to my husband's job in the military. Yes I was born in the U.S. but I was raised in the West Indian culture and was taught its morals. On both sides of my family I am 1st generation American. My mother is from Trinidad & Tobago and my father is from Haiti. I don't know much about my Haitian side which is how I got branded the nickname "Trini". My home in "Sweet T&T" is in the town of Diego Martin. My passion for my culture and its music is how I became a part of ChatBoutReggae.com. I look forward to propelling and I thank you for taking the time to get to know a little bit about me and hope to see you at our future events. If you want to give me a shout contact me at Ladytrini@chatboutreggae.com. Give thanks & praise to the most high, for without HIM, I am nothing and for who he bless shall no man curse. JAH! Rastafari


Peace and Blessings everyone, my name is Amiell, aka di J.A. Diamond. I am a twenty two year old college student who knows where I have come from, and where I'm going. ChatBoutReggae.com has sparked my interest because I have developed a passion for Dancehall and a love for meeting people. I am of Jamaican and African decent, so, when the music hits me, I am in my own dancing world!!! While partying with my friends and family I have grown to learn how we are all sisters and brothers through God, so in that sense we must all find love for each other. I enjoy capturing life's precious, unforgettable, and most wick'ed moments, which is why I am constantly taking pictures. It has always been my dream to bring everyone together in peace and harmony; therefore, I am mostly inspired by Bob Marley. I look forward to jamming with everyone and can't wait to capture you dancing the night away!!! di J.A. Diamond


Yes Yes...Greetings and Blessings massive. My name is Katt and I am the Sound Queen for ChatBoutReggae.com and I look forward to working with many sounds, young and old, in the near future. Now what makes me qualified for such a job? I have been involved in music my whole life with a West Indian heritage (SKB fi Life!) and working in various record shops. I am married to music and that relationship can never end. I started my Dancehall scene in Virginia after completing college in 2003 and dancing became my second passion. I am currently a member of Diva Squad of VA and have competed in various in state and out of state dance competition. Since I am no spring chicken, I decided to broaden my horizons and focused more and more on sound clashing again. This newly revived love of mine had prompted me to begin cutting dubs for my own sound...Kitt Kat Sound, an all female where I am the MC and select tune and Troublez is my selecter. I have also cut drops and voice overs for many European and Canadian sounds such as Mykal Shotta of Shotta Werl in Germany, King Jewlius out of Canada, Jahfire Sound out of Chicago, and have done collaberations with J Groove of Stalwart Sound. I have attended over 50 clashes in my lifetime and hold close links with many big sounds and artists. Yes I remember the Biltmore ballroom days, I know my riddims, I listen to tunes and study clash all day long, clash is me and let me be a catalyst to spicing up your sound clashing career. I look forward to working with you all and Bless Up! Any sound interested in participating in the “East Coast Fight Club” please link me at Katt@chatboutreggae.com


Bless & Thanks to everyone for logging on to Chatboutreggae.com, this is Karen "aka" K's the Regional Manager in Orlando, Florida. I am originally from Washington, DC. My family is originally from Grenada (West Indies). I now live in the Sunshine state and I am excited about working with the Sounds, promoters, artist, and fans here. I have some goals that I want to accomplish so you will be hearing a lot from me. I love to meet different people and network. My main focus is on different events and to contribute to the Orlando, Florida area to create a thriving market and strengthen Orlando's presence throughout the Caribbean. Link me up at Ks@chatboutreggae.com


Hey Whats Up. I go by the name of Hypnotiq de Belizean Empress (on the left). Originally from Brooklyn New York and now live in the DC area. My family is from Belize. While growing up in the caribbean culture I fell in love with the dancehall reggae scene. I also enjoy going out and partying with my friends, networking, and meeting new people. So if you see me in the dance come over and say hello. Big up Bruk out hunnies.



Photo Albulms



Teen Dance

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Teen Dance

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Lingerie

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Good Ova Evil

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Last Dance

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Nicky Statement Earthsong

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Wild Out Wednesdays

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Stone Love Thanksgiving

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Secret Fridays

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Gully Creeper DC

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Bahamas April 09

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Mavado VA

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Fight Club round 3

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Bassline Boat ride

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NY VS FL

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Wednesday nights and the pool party

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Budweiser Reggae Festival

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Pool Party

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Collie Bud

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"Fight Club" Rd. 1 6-27-08

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Mothers day in VA, 5-10-08

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Backstage


Mothers Day Celebration with Taurus Riley and Pressure in Virginia


This week CBR had a wonderful opportunity to experience a special “Mothers Day Performance” in Chesapeake, Virginia. The show was held at the more than popular “Blakleys Night club”.


The return of the Don Dadda


On Saturday July 29th, Washington, DC played host to an historical Reggae event. All who were in attendance including CBR were extremely surprised by the turn of events and the talk will continue on for years to follow......


Hardcore Juggling in Baltimore

CBR traveled to Baltimore this weekend to take in the “Hardcore Juggling” dance with Shashamane, Tek-9 and Amplex, promoted by Outlaw sound. The anticipation of this dance was intense since Baltimore is not known for its Hardcore Juggling or for that fact anything except what viewers see on the weekly HBO series “The Wire”. There were many familiar faces from the War Scene other than the guest of honor.


Hardcore Juggling in Part II


During the Month of March “Outlaw Entertainment” of Baltimore kept part II of “Hardcore Juggling”. This Month featured High Rollaz from Baltimore with Terra C (formerly of Kolours and LP out of Brooklyn) Generations from Brooklyn and Earthquake out of Washington, DC. There was a lot of anticipation for this one because Earthquake and Generations are nemesis.


CBR – The Cool Ruler


Ladies and Gentleman on Saturday March 15th, in Washington DC one of Reggae Music Icons graced the stage and put on a historical performance for a sellout crowd. The “Cool Ruler” Mr. Gregory Isaacs himself brought out reggae lovers from all walks of live. The crowd was definitely international and everyone had high anticipation for the historic event that was about to be experienced by all in attendance. It has been 10 years since Gregory has been to the Nations Capital.


Valentines in VA


Well CBR spent Valentines in the state for lovers, Virginia, Hampton Roads, Tidewater area. The drive down 95s was well worth it when we reached our destination. Virginia patrons were out in full force to celebrate this “Day of Love Dance”. Over the last 10 years the business in Virginia has experienced a steady growth and incline. There seems to be a strong support amongst the key figures in the industry and an ever growing commitment from the patrons. Big up Humble Beginnings for a quality dance and strong showing in the business.


Lexus Superior


CBR had an opportunity to meet with Lexus Superior before the clash with Cali’s DJ JFX. This interview took place before their win at “Fight Club” round 4. It was a short and spicy conversation but here is the real talk straight from Fadda Lex.



Access Granted



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Born Von Wayne Charles on July 26, 1972 in Buff Bay, Portland, Wayne’s initial singing inspiration came from attending Sunday school, where singing was compulsory, and from his mother who sang in church. As a child Wayne and his family moved all over eastern Kingston, living in areas such as Dunkirk, Franklin Town and Rae Town, home of the weekly Sunday night Reggae/R&B oldies street dance..........


CONTINUING A LEGACY



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Two months ago the Jamaican community lost a music pioneer and the reggae community world wide lost a legend. While on European tour lead vocalist, Joseph Hill, for the legendary roots, rock singing group Culture, passed away due to health complications. His son Kenyatta Hill has taken the lead vocalist role and all of the responsibility that comes along with this new role. It reminds CBR of the Marley legacy when Bob Marley passed away and Ziggy picked up the reigns. Unlike Ziggy Marley Many Culture and reggae lovers had never heard Kenyatta before.......



Movado Interview



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Trini: Some artis, have changed their styles over the years over to becoming Rasta. Do you think you and your style may follow from being Gangsta to Rasta? Mavado: I was born and brought up around Rasta. My father was a Rasta and I have family that is. I will always be gangsta but some of my songs also send a message that at times people have to overcome.



Freddie McGregor



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Today we an opportunity to spend a little time with one of Reggae music’s greatest Icons, a soulful voice a magnificent voice and a wonderful human being. Freddie McGregor was performing in Washington, DC and CBR was invited to a private dub-plate session with Revolution sound. It was a great opportunity because CBR was able to experience Freddie McGregor at a dub-plate session.



Mothers Day Celebration


Mothers Day Celebration with Taurus Riley and Pressure in Virginia

This week CBR had a wonderful opportunity to experience a special “Mothers Day Performance” in Chesapeake, Virginia. The show was held at the more than popular “Blakleys Night club”. Special shout to Humble Beginnings Promotions for producing a first class, exciting, extraordinary event! CBR staff would also like to send a special Big up’s to westIndiantimes.net, Tiney Winey, Diva Squad, J.A Diamond, Sweet Pashun, Tye , Famous, Sexy Trini and Quick draw from Bassline Sound.

It was around 11pm when CBR members arrived at the event. The crowd was very impressive but not unexpected because Taurus Riley and Pressure were the crooners who were going to sing some of reggae music biggest contemporary hits. Adonai, “The sound of the future” was playing and the crowd responded to every word that was uttered and every tune that played. The sound system was provided by “Huble Beginnings” promotions and the machine was tuned to perfection. Virginia has one of the most participatory fan bases in the entire U.S. The vibes were right and the stage was set for the evening main attractions everyone including CBR staff and members were ready.

Swinger from” Crazy Love” sound took the stage made a few announcements and proceeded to “Bun a serious fire” while Quick draw of Bassline played some original sing along tune. It sounded as if every voice in Blakleys was in sync at that moment. Nice job by Bassline and Crazy Love. Show time now Pressure took the stage first and the crowd roared. CBR.com members were astonished to see the response from the fans, knowing every word of every song that Pressure delivered. This is likely because VA has a strong Virgin Island community and Pressure is from the Virgin Islands. After Pressure wooed the audience for a good thirty five minutes or so he wasted no time by taking the fan to the next level by introducing the man that everyone was anxiously awaiting and VA was prepared. They had whined, Tek-wey dem selves, Gully Walked, Willie bounced and sang to get this point of the evening. Taurus sang like he was singing for his mother and all of the mothers in the world! His heart and soul were behind every word that came out of his mouth. One of the memorable highlights of the night was when Taurus gave a speech about Rasta don’t mix up with politics but I quote his words “I don’t know about you but I would love to see a black president” and began to sing a tune titled “Black President we want a Black President”, forward –forward pull up that! Wicked tune, Bad tune pull up that tune 4 times to say the least. The last tune that Taurus sang was everybody’s favorite. When the music for “She’s Royal” started, the floor in Blakleys began to shake! The chorus and 1st verse was sung by the crowd. The thune forwarded at least 5 times. When the VA finally allowed Taurus to voice the song, all you hear coming out of the speakers was “Let Me give you some love and affection” Pressure took the stage and history was made in VA. Everyone was surprised to see Pressure take the stage with Taurus and bust the place again! His timing was right, they had to practice that routine before. Nevertheless, everyone in Blakleys loved it!

After all "Virginia is for lovers" and CBR loved it as well. What a night in VA like many others before this one and many that will follow and CBR.com will be right there to keep the world up to the times!

What a night in VA like many others before this one and many that will follow and CBR will be right there to tell you way the people a (chat bout) in real time!


The Return of the Don Dadda


On Saturday July 29th, Washington, DC played host to an historical Reggae event. All who were in attendance including CBR were extremely surprised by the turn of events and the talk will continue on for years to follow.

Mr. Don Dada, The Wild Apachie, Mr. Super Cat himself performed a live concert in Washington, DC at Zanzibar on the Waterfront. Also, veteran Jr. Demus, who has performed with “The Wild Apachie” for years followed suit at Zanzibar. Mr. Demus thrilled the crowd with his famous “One Drop” style and received what seemed to be continuous forward. When Super Cat took the stage the crowd gave the “Don Dada” a response that showed their respect and the fact that Washington, DC has missed Mr. Cat for 10 years. He performed all of his hits and the patrons showed their love. The Don Dada also gave “Big Ups” to Sean Paul dispelling the rumor that he and Sean Paul are nemesis. Cat showed admiration for Dutty Cup and as far as the beef is concerned Cat said “We don’t kill champions, we raise champions. As if Cats’ 10 year return to Washington, DC was not enough, in the middle of the performance Mr. Rexton Rawlston himself, that’s right Shaba Ranks takes the stage. The crowd exploded with forward and the horns-men were present. Shaba performed some of hits like “Can Dun”, Dem Bow and “Ting a ling” and women responded by throwing their Bras on the stage. Shaba was joined by veteran DJ Wickerman and singer Xanadu from New York City.

The sounds that built up the fire were Raw Deal from Baltimore, Revolution and Emperor from DC and Glama G of Spanishtown, Jamaica. The promoters did a top class job in selecting these sounds for this historical event. Every sound built a fire and the next sound just added more fire to the fire!!!!!!!

There was a common sentiment amongst the patrons that there could be no price tag attached to the experience they just had. 900 patrons were transformed to Reaggae historians as History was made in DC on Saturday July 29th 2006, when Super Cat and Shaba Ranks blessed the stage together in the Nations Capital and CBR was there for the play by play.


Hardcore Juggling in Baltimore


CBR traveled to Baltimore this weekend to take in the “Hardcore Juggling” dance with Shashamane, Tek-9 and Amplex, promoted by Outlaw sound. The anticipation of this dance was intense since Baltimore is not known for its Hardcore Juggling or for that fact anything except what viewers see on the weekly HBO series “The Wire”. There were many familiar faces from the War Scene other than the guest of honor. “The East Cost Warrior” Revolution was present and of course Stoka from Upsetta, Generations from Brooklyn and Killer Khan from Love People in Virginia were all there, maybe due to the fact that they all have upcoming clashes and were doing a little homework.

When CBR reached the dance around 1:30am the crowd was amazingly nice. There was a proportionate mixture of ladies and gents. Tek-9 was playing and released some nice early foundation tune. Rick from Tek-9 was surprisingly - humble compared to his usual outspoken demeanor. Next up was Shashamane and they had a nice first round. They started out with Morgan Heritage and the MC, African made a speech about how he rewrote the tune. African then went into some regular hits and the Baltimore patrons responded with forward. Overall Shashamane had a solid round. Next up was Amplex with Glama G representing Washington, DC. Glama had just reached the dance and began to build his vibes. He started out slow and then began to pick up steam. The highlight of his round was some vintage Bounty Killer. CBR would have to say the 1st round was a toss-up between Tek-9 and Shashamane. The second round was loaded for Tek-9! They played a slew of Mavado and really worked the crowd. There were a couple of highlights in their second round: They played plenty Mavado, They played some serious vintage and they had the people moving. The same can’t be said for Shashamane, their second round was saturated with technical difficulties. The sound decided to chip out when Shashamane started their second round and continued throughout the round. Even when the engineer changed speakers and and retuned the sound it just would not play properly. Shashamane endured the technical challenges and continued to play some serious music despite the sound. Overall Baltimore’s “Hardcore Juggling” was a success! Big up Outlaw sound who continue to represent Baltimore and advance the business in their city. Big up Tek-9 who represented and showed their skills. Big shout to Shashamane who demonstrated why they are an international sound and represented the mother land straight. And a special shout to all of the Baltimore patrons who support authentic reggae music, Chatbout!

Hardcore Juggling in Baltimore Part II blueline


During the Month of March “Outlaw Entertainment” of Baltimore kept part II of “Hardcore Juggling”. This Month featured High Rollaz from Baltimore with Terra C (formerly of Kolours and LP out of Brooklyn) Generations from Brooklyn and Earthquake out of Washington, DC. There was a lot of anticipation for this one because Earthquake and Generations are nemesis. Unfortunately it did not live up to the hype. The honorable mention goes to High Rollaz. Terra C showed his experience as a selector. He used a combination of speech and tune and really made a statement. He went right at Generations and Earthquake who seem not to have any response for the experienced selector or his lyrics. Earthquake and Generations were disappointing to say the least. It would make since that they would put forth a good effort to settle their own vendetta but nothing. It is safe to say that Part I (Amplex, Tek-9 and Shashamane) exceeded expectations and Part II did not. Anyway, Big up High Rollaz for representing properly.

Generations outta Brooklyn, NY

CBR – The Cool Ruler blueline



Ladies and Gentleman on Saturday March 15th, in Washington DC one of Reggae Music Icons graced the stage and put on a historical performance for a sellout crowd. The “Cool Ruler” Mr. Gregory Isaacs himself brought out reggae lovers from all walks of live. The crowd was definitely international and everyone had high anticipation for the historic event that was about to be experienced by all in attendance. It has been 10 years since Gregory has been to the Nations Capital.


Tribal War, Rumors, Night Nurse, Number One, all songs that have attracted thousands of fans worldwide to love the crooner and his harmonic voice. Born in the Fletcher's Land area of Kingston, Jamaica, on July 15, 1951, Isaacs arrived in the music business via the talent show circuit, a tried and true formula for many of the island's budding singing stars. Byron Lee was the first in the industry to spot his talent and brought him and Winston Sinclair into the studio to record the duet "Another Heartbreak" in 1968. Sadly, it went nowhere, and Isaacs decided to try his fortunes with a new vocal trio, the Concords. They set up home at Rupie Edwards' Success label and over the next couple of years, released a number of singles, including one with Prince Buster, but none caught the attention of the Jamaican public. It's been estimated that the singer has released up to 500 albums (including compilations) in Jamaica, the U.K., and the U.S. combined. The singer recorded with anyone and everyone and was just as quick to revise his old songs as create fresh ones. Although none of these are entirely disposable, inevitably the quality of Isaacs full-length work began to decline in the mid-'80s. The Ted Dawson-produced Easy and All I Have Is Love-Love- Love, for example, certainly have their charms, but are hardly crucial. But that didn't mean the hits had dried up. Those 500 records are albums only, not singles, and the shops (and charts) continued to overflow with Isaacs' 45s’. And the rise of reggae just added hot new producers to the singer's packed recording diary.

Needless to say Gregory’s performance was well worth the 10 year the 10 year wait. CBR is happy to say that we were there for every second.

Valentines in VA


Well CBR spent Valentines in the state for lovers, Virginia, Hampton Roads, Tidewater area. The drive down 95s was well worth it when we reached our destination. Virginia patrons were out in full force to celebrate this “Day of Love Dance”. Over the last 10 years the business in Virginia has experienced a steady growth and incline. There seems to be a strong support amongst the key figures in the industry and an ever growing commitment from the patrons. Big up Humble Beginnings for a quality dance and strong showing in the business.

The guest of honors for the evening entertainment was Crazy Love from Virginia, Revolution and Blueprint from out of Washington DC. When we reached Blakely’s in Chesapeake, Virginia it was obvious that there were PLENTY WOMEN there. The ratio was about 7 to 1 and I must add they were looking very good! (visit photo album for pics) Crazy Love was playing and doing a very good job of entertaining their crowd. They knew what to play and they played right and at the right time. They filled the place with vibes. Very good job Crazy Love! Next up was the (East Coat Warrior) Revolution from DC. Revolution began with their signature God Bless vibes. Blakely’s lit up with extra vibes, I mean extra vibes, more fyah and the crowd responded with horns, whistles and forward in kind. CBR heard a couple of Bounty, Chuck Fender and Buju dubs too, eeehhh, nice vibes Revolution. Blueprint took over the controls and took the dance to the next level. They played a mixture of R&B,Hip-Hop and dancehall and mixed it up nicely. It was the Blueprint and Revolution was a nice 1 2 punch.


From left to right (Majestic, Bware, Jason Steele)

Special Shout Too:


Humble Beginnings, Westindiantimes.net, Crazylove sound, Revolution, Blueprint, Teddy Bear Promotions, Lady Cham, Crazy Legs, Diva Squadd, Va Supporters and Blakely’s


(crazy legs)

Lexus Superior


CBR: Tell us about the L to JFX in Cali.
Lex Sup: You could call it an L but we never feel that way for a few reasons...it was a tag team clash so really it was a team performance that was judged and not us personally. After the dance many people approached us saying they were impressed with how we performed and even go as far as to say we were the best of the 4 sounds involved so sometimes that better than a 'W'
CBR: In your opinion was it a valid win?
Lex Sup: I wouldn't try to take away anything from the west team - they were on their home court and knew what their fans wanted to hear. At times it seemed bias but I think if we had it to do all over again the outcome would be way different.
CBR: What is your approach to this clash and how will it be different from the last one?
Lex Sup: approach this time is the same as before since our style is more suited to the east coast hardcore crowd than the Hollywood style that was needed last time, we should be in our comfort zone
CBR: You did not win in NY early this year, how will another loss affect Lexus Superior as a young clash sound and what will you do to ensure a win?
Lex Sup:Clash business is too unstable now to worry about 'wins and losses' we clash cause that’s what we love, we don’t do it for money or trophies. So no matter what the outcome is of this dance or any dance I don’t think it would affect us in anyway. And as far as 'ensuring a win' – I’ve seen sounds do everything they can do to guarantee a win and it still never work so that’s impossible in this business....but I do expect to win every time regardless of who the competition is.

WAYNE WONDER



Born Von Wayne Charles on July 26, 1972 in Buff Bay, Portland, Wayne’s initial singing inspiration came from attending Sunday school, where singing was compulsory, and from his mother who sang in church. As a child Wayne and his family moved all over eastern Kingston, living in areas such as Dunkirk, Franklin Town and Rae Town, home of the weekly Sunday night Reggae/R&B oldies street dance. The exposure to vintage 45’s at these dances would provide Wayne with a richer, more soulful vocal approach to a Reggae rhythm track than many of his contemporaries. It was at secondary school where Wayne’s thoughtfulness and philosophical nature led to the acquisition of the nickname “Wonder”; young Wayne sang at school, at home, at church and for his friends and wherever he sang, he was encouraged to pursue his craft professionally.

Although dancehall Reggae deejays (rappers) must be lyrically tough, unleashing rapid-fire guns in the ghetto rhymes and inflated sexual boastings, dancehall singers can attain great popularity sensitively cooing about a new found love, melodically lamenting a love gone wrong and emotionally conveying other oh-so tender concerns. The sensual, honeyed vocals of Wayne Wonder have made him a consistent hit maker since the late ‘80s. In 2002, Wayne earned the first #1 hit of his career pledging a lifetime of devotion on the sweetly romantic hit “No Letting Go”. “This is the biggest hit of my lifetime,” Wayne exclaims. “The song is #1 in Jamaica, #1 in New York. WBLS is playing it, Kiss is playing it, I hear Hot 97 playing it. I’m grateful and I feel blessed.”

The first producer Wayne recorded for was the legendary creator of dub, the late King Tubby. Wayne voiced three original songs for Tubby, but the one that caught the public’s attention was his cover version of British heartthrob Rick Astley’s “Never Gonna Give You Up”. In 1988, Wayne was devastated by the death of Tubby who was among the most significant influences in his early career. Wayne then linked up with producer Lloyd Dennis voicing the hit “It’s Over Now” on the popular “Cover Me” rhythm (titled after the hit by Ninja Man and Tinga Stewart) for Dennis’ Pickout label. “That was actually the first song that start to play, like I could go to the dance and look forward to hearing it,” Wayne recalls, “so my inspiration grew more from there.” Wayne also recorded his debut album “No More Chance” on the Pickout label. “No More Chance” contained seven original tracks and several obligatory cover versions, reflecting Jamaican producers’ preference for recording singers doing American R&B hits. “When I first started out, I got so frustrated, because you carry original material to the studio and they act like they don’t even want to hear it,” Wayne explains. “They don’t accept it. They want you to sing over something that everybody already know. Them don’t spend time to hear your creativity or what you try to originate.”

Around 1989, Wayne began collaborating with his childhood friend Dave Kelly. At the time, Kelly was an engineer for Donovan Germaine’s Penthouse Records, the label synonymous with Dancehall Reggae hits of the late 80s/early 90s. Together Wayne and Dave created a steady stream of successful Penthouse tunes including “I’m Only Human,” “Baby You and I” and “Saddest Day” (which Wayne re-recorded in combination with Foxy Brown on her 2001 Def Jam Records “Broken Silence” CD). Wayne became well known for his 1991 cover version of the late Jamaican singer Delroy Wilson’s “I Don’t Know Why” re-titled “Movie Star.” The same song in combination with Buju Banton (whom Wayne brought to Penthouse Records) “Bona Fide Love” proved to be a huge success as well, remaining a heavily requested tune even today.

Wayne achieved several hits with Penthouse covering the work of American artists including Tracy Chapman’s “Fast Car”, PM Dawn’s “Die Without You” and En Vogue’s “Hold On” but in 1993 he pledged he would only record original material. “From that time, I haven’t covered a song, everything is all original music,” declares Wayne who has co-written hits for other artists including Buju Banton’s “Deportees” and “Murderer”. “I don’t feel proud if I cannot sing my songs, it’s a different feel that it gives you than singing someone else’s song. How can I be touring and singing other peoples songs? I supposed to be touring and singing my songs!”

Wayne and Dave Kelly continued their successful musical relationship when Kelly founded his own Madhouse and Xtra Large labels. Wayne recorded many hits for Madhouse spanning the mid to late 90’s, including “Joyride,” “Bashment Gal,” and “Keep Them Coming.” Wayne introduced an extra dimension with “Let Your Conscience Set You Free” recorded in combination with his alter ego, deejay Surprize. “I have a lot of tracks on the road Wayne Wonder featuring Surprize. Really, I’m the deejay as well as the singer, that is the surprise. My creative juices get crazy on me so I apply them in different ways.” Surprize was also featured on several tracks of Wayne’s 2001 release “Schizophrenic” as was Wayne’s underground group Entourage, featuring his deejay protégé Showki Ru (pronounced sho-kee roo).

Wayne launched his own record label Singso in 2000 and has released singles by several artists including Baby Cham, Alley Cat, Frankie Sly, and Mr. Easy. Steve "Lenky" Marsden, the multitalented musician and producer, whose hypnotic Diwali rhythm track supports Wayne’s sweet serenading on the chart topping radio hit “No Letting Go” is one of the featured producers on the album, along with heavy hitters Tony Kelly and Sly Dunbar.

Wayne has been working tirelessly in the studio completing tracks for his upcoming album for VP Records “No Holding Back” due February 2003. He has done much of the pre-production work in his New York home studio, as well as recording tracks in Jamaica. Wayne wrote or co- wrote all of the songs on “No Holding Back” and the album will certainly adhere to the same superlative vocal and songwriting standards his fans have come to expect from him over the years.

“I just want to do good songs,” Wayne concludes. “I’m keeping the mainstream recognition (from “No Letting Go”) in mind but adding my creative flow to it because I want people to know that Wayne Wonder is not limited. Once I finish the album, I’ll hit the road and tour. I got a good band together and I really feel pleased. I can go out there now and really represent myself.”



Continuing a Legacy

Two months ago the Jamaican community lost a music pioneer and the reggae community world wide lost a legend. While on European tour lead vocalist, Joseph Hill, for the legendary roots, rock singing group Culture, passed away due to health complications. His son Kenyatta Hill has taken the lead vocalist role and all of the responsibility that comes along with this new role. It reminds CBR of the Marley legacy when Bob Marley passed away and Ziggy picked up the reigns. Unlike Ziggy Marley Many Culture and reggae lovers had never heard Kenyatta before. The pressure could be Crazy but we visited the new lead vocalist while on tour in the Nations capital. CBR was able to take in the show and was highly impressed. Kenyatta brings a youthful vigor along with his harmonious voice. Before the show Kenyatta Hill sat down and shared this with CBR:

CBR: Kenyatta, tell everyone about the band.
KH: Well there are 8 members, 5 bands-man and 3 vocalist.  Albert, Tilly and myself on Vocals, Robin on Guitar, Leslie on Drums, Steven on Bass and Cris and Mitch on Keyboards
CBR: Where and when was the group founded?
KH: In St. Cathrine Jamaica in 1976 by Albert Walker, Kenneth Days and Joseph Hill, the group is 30 years old.
CBR: Are you on tour?
KH: Well the band just come off of tour, we are just here for two shows NY and DC
CBR: How do you like NY and DC?
KH: We come here regular, we love it, it’s a nice place and has great shopping.
CBR: Tell the world about your new role as lead vocalist for Culture.
KH: It is a dream come true. 
CBR: Have you ever performed before becoming lead vocalist?
KH: Not really.  I use to be a selector for a sound name “Channel 7 Disco.”
The sound was owned by my father Joseph Hill.
CBR: So you are use to being in the spotlight.
KH: Different from the sound business, I am learning the concept of timing.  In music singing is not something that you just  do, it has to be in you, who you are and how you express yourself you’re born with it.
CBR: What goals have you set for yourself as lead vocalist?
KH: I’d like to put out more roots in the mainstream.  Dave Matthews put roots in the mainstream already but as a young vocalist and former selector, I don’t believe that selectors support and endorse roots.  Since the rise of reggae music in the mainstream selectors and sounds don’t play roots.  After my father started a legacy I overstand that his shoes are some big shoes to fill. So, I look at his example and utilize those lessons to make my mark.
CBR: Do you feel that is the way he wanted it?
KH: Yes, to make more conscious music, to open people eyes to look deeper into life and overstand that these are serious times people have to live right and good.


Movado Interview

It’s Trini again and I have another exclusive for you! Recently I had the opportunity to talk to “The Real Mcoy” himself, Cassava Pieces’ own Mavado. It’s hot so enjoy!

Trini: In some of your songs you mention "Cassava Piece" and some people don't exactly know or understand what it is or its significance. Can break down the meaningso people will know why it gets mentioned and what role it has played in your life?
Movado: Cassava piece is the community I'm from. It’s the area where I was born and raised. It’s where it all got started, the root to Movado.
Trini: How would you describe your style?
Movado: I am a diverse person so my [music and] style is unique.
Trini:Some artis, have changed their styles over the years over to becoming Rasta. Do you think you and your style may follow from being Gangsta to Rasta?
Movado: I was born and brought up around Rasta. My father was a Rasta and I have family that is. I will always be gangsta but some of my songs also send a message that at times people have to overcome.
Trini: A few months back there was talk of you getting your visa taken away, and some were worried about you coming to the states to perform. If you don't mind, what was the truth behind it all?
Movado: It wasn't true. It was all a conspiracy to hold me back.
Trini: So nothing really happened in Brooklyn after a show?
Movado: Naw, I wasn't even in the US. I was the airport in London and like I said it was some mix up and they tried to stop me but you know "I'm so special"
Trini: When, if you do, do you see yourself getting ready to retire?
Movado: Someday I will retire but not now.
Trini: Does your mother listen to your music?
Movado: She listens to some, whatever is appropriate. She has some tune she likes, overall she's supportive.
Trini: When can we expect an album to drop?
Movado: My album is supposed to drop around this November or December.

Freddie McGregor

Today we an opportunity to spend a little time with one of Reggae music’s greatest Icons, a soulful voice a magnificent voice and a wonderful human being. Freddie McGregor was performing in Washington, DC and CBR was invited to a private dub-plate session with Revolution sound. It was a great opportunity because CBR was able to experience a Freddie McGregor at a dub-plate session.

He was cool and laid back and he was very accommodating. He wore jeans and a T-shirt and he had a crown on covering his locks. If you saw him walking down the street you would not even recognize this great Icon of over 30 albums. When we entered his suite he was in the middle of an interview on his cell phone. Freddie McGregor was on his Blackberry, yes Freddie is definitely up to the times. We talked about the current state of dancehall. To my surprise he did not talk about bringing back the “Good ole days” but more about the personalities involved with the industry. “Dancehall is not bad sometimes the people in the dancehall don’t make the best choices in their personal lives and dancehall is affected in a negative way. Outsiders see this and it gives dancehall a black eye”. Over the last couple of years there have been some high profile incidents that have helped give dancehall a negative image. Ten years ago Jah-Cure was arrested and sent to prison for rape, dancing sensation Boogle was gunned down, Alliance artist Raw Dawg was killed and more recently the ongoing feud between Mavado and Vybz Kartel.

We also talked about the messages that artist put out with their songs. “Bob Marley talked about everything that today’s artist talk about, he just said it in a way that did not offend people. There are some parts of society that have been here since the beginning and you can’t change that. If songs were made about how some of the people in dancehall and how they mash up the business, there would be major up roar”.

As the conversation progressed while Danny from Revolution set up his portable studio, the singer began to speak about his label and studio in Jamaica titled “Big Ship” in Kingston, Jamaica. Big ship has produced artist like Luciano and Mikey Spice. Big Ships top producer is Genius a 19 year old wonder producing some of dancehalls biggest artist and hottest riddims. Freddie talked about how proud he is of Big Ship and look out for more greatness in the future.